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Short description
Absurd Reality Theatre (ART) and Don Nigro's Seascape with Sharks and Dancer tackle the possibility of love in today's world with an unrelenting optimism and bring to light a salvation for our alienation.
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- $10 - $12
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- $10
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- $10
This event has been viewed 1059 times Last viewed on July 28, 2010, 5:40 am It was last updated on April 15, 2007, 1:45 pm It was originally posted: 2007-02-20 15:08:47 By Absurd Reality Theatre
DESCRIPTION
Seattle, Washington –Unstable leadership, undeniable falsehoods, and indistinguishable borders: things are not always as they appear. Absurd Reality Theatre (ART) and Don Nigro's Seascape with Sharks and Dancer tackle the possibility of love in today's world with an unrelenting optimism and bring to light a salvation for our alienation
After opening their 2006-2007 season at the Odd Duck Studio, ART is returning to their old stomping grounds at the Northwest Actors Studio where they spent their 2005-2006 season. Northwest Actors studio presented the voyeuristic yet intimate atmosphere needed for Ben’s beach house, the only location of the play.
“We truly enjoyed working with the Odd Duck,” Brandon Ryan, artistic director of ART said, “but we felt NWAS worked perfectly for our design and ideas for Seascape with Sharks and Dancer.”
In Don Nigro’s tale about love and creation, the actors of ART take on a modern day love story for a generation Tracy, a 20 year old antagonist of her own life. She finds herself torn between her need for safety and her certainty that all human relationships eventually turn into nightmares. Ben is simplistic in his unfaltering acceptance of Tracy and the world around him. They've got all the words in the world, but can they find the right ones to communicate? Seascape is a story of people who promise according to their hopes and perform according to their fears. It questions whether any really functional relationship between a man and a woman is possible, and yet ensures us dysfunction is okay, even desirable.
User-Submitted Reviews
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A perverse pleasure of live theater is the sensation of eavesdropping one derives from a drama of particular intimacy. It is discomforting to empathize with characters who mirror ones own vulnerabilities. Ben, who has just rescued Tracy from an apparent suicide by drowning (she claims to have been dancing), his life transparently empty, pathetically smitten, initially responds with a forced, indulgent smile. She seems angry, distracted by some past, unspecified wound. She incessantly threatens to leave. A supposed exchange of stories, is instead their first moment of honesty. It is the skill of the actors in rendering these subtexts that makes us neighbors to these artifices of love. | -Tom Glans
April 6, 2007, 6:05 am |
COMPLETE SCHEDULE
Thursday, March 29, 2007 from 8:00 pm to 9:44 pm -
Friday, March 30, 2007 from 8:00 pm to 9:44 pm
Saturday, March 31, 2007 from 8:00 pm to 9:44 pm
Thursday, April 5, 2007 from 8:00 pm to 9:44 pm -
Friday, April 6, 2007 from 8:00 pm to 9:44 pm
Saturday, April 7, 2007 from 8:00 pm to 9:44 pm
Thursday, April 12, 2007 from 8:00 pm to 9:44 pm -
Friday, April 13, 2007 from 8:00 pm to 9:44 pm
Saturday, April 14, 2007 from 8:00 pm to 9:44 pm
Thursday, April 19, 2007 from 8:00 pm to 9:44 pm -
Friday, April 20, 2007 from 8:00 pm to 9:44 pm
Saturday, April 21, 2007 from 8:00 pm to 9:44 pm
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